Sweetwater, Berlin

Sweetwater, Berlin - Kayode Ojo – Closer

 
 

Kayode Ojo
Closer

KO18Closer.jpg

September 22, 2018 – November 17, 2018
Opening reception September 22, 2018, 6pm to 9pm

Press Release
Checklist
Curriculum Vitae
Press

INT: PHOTOGRAPHY STUDIO - DAY

ANNA
I'm just going to change the film. Are you okay for time?

DAN
Mmm hmm.

ANNA
I liked your book. Your publisher sent me a manuscript. I read it last night. It kept me up 'til 4.      

DAN
I'm flattered.        

ANNA
Is your heroine based on someone you know?          

DAN
Yes, she's someone called Alice.

ANNA
How does she feel about you stealing her life?          

DAN
Borrowing her life. I'm dedicating the book to her. She's pleased.

ANNA
Mmm.          

DAN
Do you exhibit?

ANNA
Sometimes. I have a thing next year.

DAN
Portraits?          

ANNA
Mmm hmm.

DAN
Of who?          

ANNA
Strangers.

DAN
How do your strangers feel about you stealing their lives?          

ANNA
Borrowing. 
INT: PHOTOGRAPHY STUDIO - DAY

ALICE
You live here?

ANNA
I do now.          

ALICE
Because you're single?

ANNA
Mmm hmm.

ALICE
Who was your last boyfriend?          

ANNA
My husband.

ALICE
What happened to him?

ANNA
Someone younger.          

ANNA
You've got a great face.

ALICE
Doesn't everyone?

ANNA
I suppose so. I just... from the book somehow I thought you'd be less...

ALICE
What?

ANNA
I don't know what exactly, I...

ANNA
How do you feel about him using your life?          

ALICE
That's really none of your business.          

ANNA
You want a drink? I have some vodka in the fridge; we could have a drink.

ALICE
Just take my picture. 

Kayode Ojo (*1990, Cookeville, Tennessee, US) lives and works in New York. Closer is the inaugural exhibition at Sweetwater, Berlin. Ojo’s previous solo and two-person exhibitions include Betrayal, Balice Hertling, Paris (2018); Kayode Ojo, Zoe Leonard, Paula Cooper, New York (2018); Running on Empty, And Now, Dallas (2018); Taye Diggs (with Winslow Laroche), Motel, Brooklyn (2017); maybe no one will notice, Guertin’s Graphics, Brooklyn (2017); you gotta keep your head up but you can let your hair down, 55 Gansevoort, New York (2014). His work has recently been featured in group exhibitions at PS120, Berlin (2018); Salon 94, New York (2018); Ceysson & Bénétière, New York (2018); Balice Hertling, Paris (2017); Martos Gallery, New York (2017); MX Gallery, New York (2017); Lomex, New York (2016); Brennan & Griffin, New York (2016); MINI/Goethe-Institut Curatorial Residencies Ludlow 38, New York (2015). Portfolios of Ojo’s work have been published in Studio Magazine (2018) and Texte zur Kunst (2017). Ojo graduated with a BFA from the School of Visual Arts, New York in 2012.

Closer takes its title from Mike Nichols’s 2004 film, in turn based on Patrick Marber’s 1997 play, that documents the tumultuous romantic lives of Alice (Natalie Portman), Anna (Julia Roberts), Dan (Jude Law), and Larry (Clive Owen). Over the course of the film, the characters cycle between infatuation, relationship, affair, and even marriage amongst each other. For the exhibition text of Closer, Ojo has selected two excerpts from the film’s script, both of which take place in Anna’s photography studio. The title image of Closer is a film still of Larry, taken from a scene in which he confronts Anna about her affair with Dan.

Installation view, Kayode Ojo, Closer
Left to Right: Reaching Out (BE), 2018; Reaching Out (DE), 2016; Reaching Out (AU), 2017; Reaching Out (US), 2015; Reaching Out (IT), 2016; Reaching Out (EU), 2015

Installation view, Kayode Ojo, Closer
Left to Right: Silver (Dallas) II, 2018; Silver (Dallas) I, 2018; Silver (Dallas) IV, 2018

Installation view, Kayode Ojo, Closer
Left to Right: Silver (Dallas) III, 2018; He Valued His Privacy, 2018; Silver (Dallas) II, 2018; Silver (Dallas) I, 2018

Installation view, Kayode Ojo, Closer
Left to Right: Kravitz, Stockholm (ZARA), 2018; He Valued His Privacy, 2018; Kravitz, Stockholm (ASOS), 2018

Reaching Out (EU), 2015
Framed archival pigment print

Reaching Out (IT), 2016
Framed archival pigment print

Reaching Out (US), 2015
Framed archival pigment print

Reaching Out (AU), 2017
Framed archival pigment print

Reaching Out (DE), 2016
Framed archival pigment print

Reaching Out (BE), 2018
Framed archival pigment print

Silver (Dallas) IV, 2018
Framed archival pigment print

Silver (Dallas) I, 2018
Framed archival pigment print

Silver (Dallas) II, 2018
Framed archival pigment print

Silver (Dallas) III, 2018
Framed archival pigment print

Show ‘Em What’s Underneath, 2018
Sony Trinitron Color TV KV-16WT, white bedside table, HD video (42 seconds, looped)

He Valued His Privacy, 2018
Saint Mossi 2-Tier Modern Modern Elegant Crystal Glass Chandelier Pendant Ceiling Lighting - 9 E14 Lights, Door Curtain Crystal Garland Crystal Clear Acrylic Bead Garland Door Curtain Hanging Party Decor Wedding DIY Decor Pendant Bead Curtain (with Crystals Diamond)

He Valued His Privacy, 2018 (detail)

Kravitz, Stockholm (ASOS), 2018
ASOS Extreme Super Skinny Jeans In Leather Look Black, DAY.LIN Jewelry Ladies Body Chain Women Nightclub Party Body Chain Jewelry Bikini Waist Gold Belly Beach Harness (Silver), Hamilton Stands KB400 Classic American Folding Sheet Music Stand (Chrome)

Kravitz, Stockholm (ZARA), 2018
BASIC ZARA MAN Black Coated Denim Jeans, DAY.LIN Jewelry Ladies Body Chain Women Nightclub Party Body Chain Jewelry Bikini Waist Gold Belly Beach Harness (Silver), Hamilton Stands KB400 Classic American Folding Sheet Music Stand (Chrome)

Lucien, New York, New York, 2016
Framed archival pigment print